NEW: SYNCHRON SOLO VIOLIN & CELLO (2024)

Special Introductory Offer, only through July 31, 2024:

Purchase Synchron Solo Violin and Synchron Solo Cello in one order and take an additional 10% off both introductory prices!

(Applies to two Standard Libraries each, two Full Libraries each, or one Standard and one Full Library of each Collection.)

A string instrument is arguably the most expressive among classical orchestra instruments, especially when it takes center stage as a soloist. The interplay between the bow, the fingers and the instrument opens up a vast and varied panoply of sound and performance possibilities. That’s why creating a solo strings virtual instrument is one of the ultimate challenges of sampling artistry, having to balance two key aspects: capturing the instrument’s full expressive complexity without imposing limitations, while simultaneously providing a software instrument that is easy to use and sounds authentic from the get-go.

The crucial factor that fundamentally determines the quality of a library is, above all, the musicians themselves. Sampling sessions are inherently demanding, requiring endurance and intense concentration. Over the years, we have refined our recording process to create the ideal conditions for our musicians. Striking the right balance between providing guidance and allowing musicians to find their own flow has been key. It is to oursignificant advantage that themusicians have become highly specialized session players for scoring recordings, while also bringing extensive experience in sampling to the studio.

The Synchron Solo Violin was performed by the concertmaster of the Synchron Stage Orchestra, Marina Dimitrova. Hailing from Bulgaria, she studied in Sofia, London and Vienna and was a member of the London Symphony Orchestra and the Radio Symphony Orchestra Vienna. She regularly performs with the Vienna Chamber Orchestra and played at festivals such as Salzburg and Wien Modern as a soloist and chamber musician.

The Synchron Solo Cello was performed by acclaimed soloist and one of the first chair players of the Synchron Stage Orchestra, Florian Eggner. Since founding one of today’s leading piano trios in 1997 with his two brothers Georg and Christoph, the Grammy-nominated “Eggner Trio” has performed numerous concerts all over the world (Vienna Musikverein, Concertgebouw Amsterdam, Wigmore Hall London, Cité de la Musique Paris, Carnegie Hall New York).

Both musicians demonstrated extraordinary dedication and focus in one of the most extensive sampling sessions in the large hall of Synchron Stage Vienna, evidenced by the enormous number of available articulations. Short notes include a variety of spiccatos, staccatos, détachés, ricochet, and saltando. Long notes come with various vibrato styles, different attacks and releases as well as various slides. Legato variants include normal, agile, slurred, portamento, and lyrical styles. Playing techniques such as sforzato, several crescendos and diminuendos, tremolos, trills, harmonics, pizzicatos and col legno add a host of styles, tonal colors and dynamic nuances to the expressive possibilities of these software instruments.

Articulations, Mixer, Mixer Presets

New Velocity Crossfade Editor

To better match the capabilities of these instruments, the functionality of the Synchron Player has been expanded. A new Crossfade Editor allows for seamless blending and layering of two or more articulations, enabling users to fine-tune their preferred settings, such as defining the exact transition area between vibrato and non-vibrato or setting precise breakpoints between normal and rapid note sequences.

Another new feature, familiar to Vienna Instruments Pro users, is the Sequence Controller, which automates switching between two or more articulations. The presets include several suggestions, but the possibilities are virtually limitless. We highly recommend experimenting with your own creations, as this is not only enjoyable but also an inspiring tool that can significantly enhance your musical expression. Of course these new features are now available to all users of Synchron Player based libraries.

Multiple Microphone Positions

In order to capture the performances in the large Stage A, our recording engineers used multiple high-end microphone arrays, affording an abundance of options for creating your individual sound. The Full Library features three different sets of close microphones with tube, ribbon and condenser mic options, two pairs of mid mics, another ribbon pair a bit further away, as well as the Decca tree with additional surround and high surround outriggers.

Microphone Setup - Standard & Full Library

The Standard Library and Full Library of each Collectioninclude the same articulations. The difference lies in the number of provided microphone positions:

Standard LibraryFull Library
1. Close Mic 1, Tube(Mono)
2. Close Mic 2,Ribbon (Mono)
3. Close Mic 3, Condenser (X/Y Stereo)
4. MidMic 1, Condenser (ORTF L/R)
5. MidMic 2, Ribbon (Blumlein L/R)
7. Main/Room Mic – Decca Tree Stereo (L/R)
8. Main/Room Mic – Decca Tree Mono (Center)
9. Main Surround – Stereo (L/R)
10. High Stereo (3D) – Stereo (L/R)
11. High Surround (3D) – Stereo (L/R)

Room Mix Presets feature an excellent mix-down to stereo from the Decca tree and surround mic positions for a CPU and RAM-saving sound that’s perfectly balanced right out-of-the-box. A host of Mixer Presets is available in the categories of “Decca Tree Multi-Mic”, “Surround to Stereo Downmix”, and “Surround”.

The Standard Library and the upgrade to the Full Library (sometimes referred to as the Extended Library) are separate downloads.

Synchron Stage recordings featuring Marina Dimitrova and Florian Eggner


Marina Dimitrova contributed as aconcertmasterto the scoreof "Mission Impossible: Dead Reckoning Part One". Her virtuosic performance added a special intensity and dynamism to the music. Her involvement highlights her outstanding skill and influence in film music.


Florian Eggner has contributed to various media productions. One of his notable works includes his performance at Synchron Stage Vienna for the scoreof "Call of Duty Mobile Season 9". In this project, he played solo cello, adding significant depth and emotion to the music and highlighting the high quality and impact of professional musicians on the atmosphere of video games.

Notation Program Integration

You’ll find Expression Maps for Cubase andDoricoas well asSoundsets for Sibelius in the Vienna Assistant.

NEW: SYNCHRON SOLO VIOLIN & CELLO (2024)

FAQs

Is violin more difficult than cello? ›

Violin offers a steeper but satisfying learning curve. Cello progresses slightly more gradually. Mindset is key.

How hard is it to switch from violin to cello? ›

Though these two instruments are not exactly alike, a violinist can most definitely learn how to play the cello with ease! Moreover, violinists typically have the foundation needed to venture into learning how to play the cello. It is notable that the biggest difference between violins and are their sizes.

How does the cello sound compared to the violin? ›

The violin produces a bright and vibrant tone, while the cello offers a warm and resonant sound. Size and Position: The violin is smaller and lighter, making it easier to handle and maneuver. On the other hand, the cello is larger and requires a seated position, which may offer a more grounded playing experience.

What is the ratio of violins to cellos? ›

So for example, a standard orchestra might be 14 first violins, 12 seconds, 10 violas, 8 cello and 6 basses, or “14/12/10/8/6” for short (in the film world where we lump all the violins together, so this is often condensed further to “26/10/8/6”).

What is the hardest instrument to play? ›

10 Most Challenging Instruments to Learn
  • Oboe – The double reed experience. The oboe produces beautiful sounds when mastered. ...
  • French Horn – Epicness, simply put. The French horn is a captivating wind instrument. ...
  • Violin. ...
  • Harp. ...
  • Organ – for musical acrobats. ...
  • Drums. ...
  • Bagpipes. ...
  • Sitar – exploring Indian culture.
Jun 25, 2024

Can a violinist learn cello easily? ›

No doubt that both of the instrument looks exactly same, therefore it becomes pretty much easier for a violinist to become a cellist. Besides, most of the violinists have the required knowledge of the basics, and therefore it can become much easier for them to take the cello lessons.

What is the hardest part of learning violin? ›

Just a tiny change in angle, speed, contact point or pressure, might make the violin scratch and squeak. The combination between the bowing and the exact placement of the left hand fingers on the strings, being two totally different techniques, makes the violin one of the hardest instruments to learn.

Can you be too old to learn cello? ›

It takes bravery to start taking music lessons, but according to the mature beginners I interviewed, no one is ever too old. Want to learn violin, viola, cello, or bass?

How long does it take to be decent at cello? ›

Everyone is different, so how long it takes to learn to play the cello will vary with each person. Generally, though, most people can learn to play the cello at a satisfactory level within two to five years.

Which is louder violin or cello? ›

That would mean that each time counted as a trial, therefore making forty trials for each instrument, or 160 trials all together. The results came out to oppose the hypothesis. Results, at the average note, were as follows: violin, 85.9 db: viola, 79.5 db: cello, 76.52 db: double bass, 75.97 db.

Should I start with cello or violin? ›

While some musicians with more experience claim that both instruments are equally challenging in unique ways, beginners may find the cello to be less challenging due to its more comfortable playing position.

Does the violin cello play higher than the cello? ›

The note range of the violin is higher than the cello (an octave and a fifth, to be exact) and the sound has the ability to rise above (or to be heard over) the other instruments in an orchestra because of its high, brilliant timbre in the upper register.

Can violin be played like a cello? ›

There are people who play like this for various reasons (usually disability) and it is possible. Even just on a “fun” level, sure, you can learn to do it.

Are cellists in demand? ›

There is a demand for professional cellists right now, so setting yourself up for success pays off: Get a diploma certificate from a notable music school so you can advertise yourself as trained and “educated." Create a professional persona and market it diligently.

Is cello one of the hardest instruments to play? ›

Nearly every new player, however, runs into the same reality: that the Cello is one of the hardest instruments to learn, and requires commitment and dedication to master. There are numerous reasons for this, all of which my students are working to overcome right now.

Is violin really the hardest instrument? ›

It is true, the violin is one of the most difficult instruments to learn - and for good reason. While it only has four strings, it presents its own set of unique challenges for beginning violin players. Anyone who has ever tried to play the violin has struggled at some point along the way.

Is cello the hardest instrument? ›

Nearly every new player, however, runs into the same reality: that the Cello is one of the hardest instruments to learn, and requires commitment and dedication to master. There are numerous reasons for this, all of which my students are working to overcome right now.

Is violin harder or is piano harder? ›

Learning curve

The violin is known for initially being a difficult instrument, particularly in mastering the correct intonation without frets and developing bowing techniques. In contrast, the piano offers more immediate gratification to beginners, as pressing a key results in a clear and correct tone.

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